Eventually I will have to put numbers in a spreadsheet and
send it to someone in an office in Australia who will file it away forever in a colossal cardboard box marked 'funding acquittals'.
But for now this is my
account of two weeks in Sweden, where I:
Ate cheese in a gold room (and not just any gold room – the
one where Nobel Prize Laureates dine every year)
Setting the bar high for homemade mosaics - they used 10kg of gold |
Had approximately 27 awkward moments where people spoke Swedish to me and I tried to keep the charade going with a well-placed ‘tak’ (thank you)
Gave up converting things from kroner to dollars and
accepted the Stockholm-shaped hole developing in my wallet
This is what my bank account looks like now |
Learnt that Strindberg invented the first ‘Blue Steel’ pout at
the tender age of 22
Got so discombobulated by Swedish summer sunshine that 2am became
my new bedtime
Just some standard nocturnal hijinks |
Felt strangely at home dancing to Ai Se Eu Te
Pego in a Stockholm theatre (Timor’s favourite pop song which I usually
hear in taxis and from the mouths of children across Dili)
Experienced real Swedish hospitality when invited to dinner
at the chic apartment of a playwright and her philosopher husband (yes, really that is his job)
Developed the ‘Stockholm diet’, where punnets of
strawberries are supplemented with coffee, savoury crepes and cinnamon rolls
Cinnamon rolls are best served with a city skyline in the background |
Went to the Stockholm Fringe Festival and paid to see a German
man wax his legs (and unmentionables)
For the first time, actually participated in an Open Mic night
This is not me doing open mic... I'll aim for this in 40 years |
Had several reunions (some squealing, others not) with friends from Australia, Sweden and Croatia
Old friends |
Met playwrights from South Africa, Jamaica, Egypt, Canada,
Uganda, Iran, India, Indonesia, Spain, Wales, Lebanon, Cuba… the list goes on
This is what play readings in Sweden look like |
Listened to the lead actress from Peter Brook’s Mahabarata talk about 20+ years of social activism using theatre as a tool for change
Walked through the streets chanting ‘Free Pussy Riot’ with a
bunch of fearlessly vocal, creative women
Met a theatremaker from Egypt who experienced the Arab
Spring firsthand.
She said: ‘I believe nothing has changed but us. And I believe that will make all the difference’.
She said: ‘I believe nothing has changed but us. And I believe that will make all the difference’.